Topio, if you see this, better start posting soon~ (I'm going to disappear for about half an hour in 5 minutes as I have to get back to rehearsal)
Note, Remilia shouldn't be directly injured until she confronts Fiora. There, several small wounds should be fine, but at the same time Remilia won't be destroying Fiora either. It should be a relatively balanced standoff but with Remilia holding the slight edge, hence Fiora is only tanking Remi until the Spy can get a clear shot.
That being said, I'm imagining maybe a 6 to 10 post exchange for the battle itself.
Originally posted by Remilia_Scarlet I know, but I'm saying Nitori, as Wriggle said himself, isn't tied into the main story in any way. From his current usage of Nitori, it's just a "side story" that he does when he can't interact with the rest of the RP due to waiting or whatever reason. What I'm arguing is that if your character isn't being planned to somehow tie into the central plot somewhere in the future, you shouldn't be using that character. Period.
The RP isn't a progressive fanfic thread. It's meant to make users collaborate in some way or another, whether it be battling each other or allying with each other, to progress the central plot, which is the "good Characters vs bad Characters" battle.
Okay, just to clarify, here's what I was planning. Mima (or any other Character) gives critical information to the main party (John, Renamon, and Yuuka) about the whereabouts of Neo-Yakuza in Tokyo area. They go into the location that was provided, and undergo a battle with a group of trained Neo-Yakuza under a subjugated Character. (any of your choice. Post something if you have an idea of what this subjugated one should be.) The character and the Neo-Yakuza is oppressed, and the main party finds a list of clients that wishes to buy Characters from Neo-Yakuza. They resolve to travel to these locations and free other subjugated Characters. But how? Perhaps President Mario of the Nintendo Corp. might be interested. *One of this location is Rio, where the main group meets Nitori. All I'm saying is that until then, Nitori's sidestory that leads to the central plot will be casual. It's not going to be fun if all the storyline is serious.
While that, Jaey's plotline of the battle in France will be followed. Remilia Scarlet vs Fiora, the Spy, and human agents.
The situation in Chinatown, Manhattan, I don't know how to lead that up. Perhaps Jaey and Remi will figure that out, along with Patchy and others. All I know is that Capitalism Ho!
Don't worry about Chinatown. We're going to get out of there soon anyway, so I'd actually request no one interfere until that happens. JJ and I have just been stalling on that end to progress France's storyline.
edit: If it's alright with everyone, please don't make Remi do anything major if you post for the battle. Making her dodge and fly around a bit is fine, but nothign major like "destroys the town in a flaming inferno, killing everything." I'll be back in like half an hour.
Originally posted by Remilia_Scarlet Don't worry about Chinatown. We're going to get out of there soon anyway, so I'd actually request no one interfere until that happens. JJ and I have just been stalling on that end to progress France's storyline.
Originally posted by WriggleRid3r Okay, just to clarify, here's what I was planning. Mima (or any other Character) gives critical information to the main party (John, Renamon, and Yuuka) about the whereabouts of Neo-Yakuza in Tokyo area. They go into the location that was provided, and undergo a battle with a group of trained Neo-Yakuza under a subjugated Character. (any of your choice. Post something if you have an idea of what this subjugated one should be.) The character and the Neo-Yakuza is oppressed, and the main party finds a list of clients that wishes to buy Characters from Neo-Yakuza. They resolve to travel to these locations and free other subjugated Characters. But how? Perhaps President Mario of the Nintendo Corp. might be interested. *One of this location is Rio, where the main group meets Nitori. All I'm saying is that until then, Nitori's sidestory that leads to the central plot will be casual. It's not going to be fun if all the storyline is serious.
While that, Jaey's plotline of the battle in France will be followed. Remilia Scarlet vs Fiora, the Spy, and human agents.
The situation in Chinatown, Manhattan, I don't know how to lead that up. Perhaps Jaey and Remi will figure that out, along with Patchy and others. All I know is that Capitalism Ho!
You might also want to consider Dad coming towards the shop, with Aqua following behind.
Originally posted by S121 Every time I see a new post on the Forum, I feel like a little kid during Christmas, all giddy.
any body wanna answer the commanders house call? seems like a good place to have a comedic little chat between a angry base operator and my monotone commander
also youre controling remi wriggle. not that im mad or anything but just letting you know. just be careful :)
Originally posted by topio1 any body wanna answer the commanders house call? seems like a good place to have a comedic little chat between a angry base operator and my monotone commander
also youre controling remi wriggle. not that im mad or anything but just letting you know. just be careful :)
Wait I'm controlling Remi? It was mentioned by Remi that she was firing danmaku at houses and shops. I don't see how that's controlling.
Wriggle, what the hell are you doing introducing all of these characters without my permission? I'm so confused when I come back from writing and the like to see pages upon pages of information and "story". I simply can't keep track of any of you. I need an assistant GM who is more active than I am.
1. Run your ideas by me! 2. Don't introduce characters except in flashbacks or as history, because if you say that the Spy is in France doing stuff, how is that going to affect someone who wants to play as the Spy as a main character, or lesser than that but still as important, me? I mean, I've got a story of my own to tell, I believe. 3. Wriggle, I want you to send me a TL;DR version of this "story" you've set into motion.